Silent Majority

I was visiting Hudson one afternoon and this was the first thing I noticed: this mob of hornets pouring out of a lamppost, pooling on the side as though preparing for some major operation—some quixotic attempt at a takeover. I hadn’t seen that before. I didn’t realize they lived in lampposts. You always know these guys are around, but you don’t spend as much time thinking about how many there are because you don’t usually see that part. They keep out of sight. Typically it’s just a few here and there.

And yet here they were in civilized society—boiling out of the woodwork like Morlocks. I thought they were fascinating. Sarah said to steer clear of them: they’re hostile, unpredictable, prone to offense. I’d just finished telling her that I didn’t think they were going to do anything when they turned and went at us.

This photo has been on my mind a fair amount these days.

The Artist Currently Known As

On my last late-night trip around town, back in the end of April, I noticed that somebody had been leaving little sketches of what appears to be an upside-down Russian Orthodox Church symbol (☦️). I counted three. Not sure if this is new or what it means, but I’m pretty familiar with the local vandalism at this point and I’d never seen them before. I found a fourth one today on the bridge. It looked new.

Continue reading “The Artist Currently Known As”

Recovered from the Scene

I found this carefully stuck to a branch while I was out in the woods a few days ago. There were other bones scattered around; the creature—possibly a cat—had died in the vicinity. A bit unsettling nonetheless, especially knowing that someone had deliberately placed the skull there for unknown reasons. I kept it anyway.

I like bones. When I was a kid, my mom—a biologist—set up a small enclosure made of cinder blocks in the woods behind our house. We’d put roadkill inside it, wait a month or two, and then come back to a clean skeleton. We called it “The Mausoleum.”

The Mausoleum was effective at what it did, and it also served as a litmus test of sorts later in life; something that helped me distinguish the more unusual people from the regular ones. Cool people thought it was cool. Everyone else would just stare at me in uneasy confusion—a reaction I came to be pretty familiar with—and say things like “Wait…you did what? Bones? Why?”

(Which is also, indirectly, why the whole social distancing thing really hasn’t been that hard for me.)

Poison

In early May, I was wandering around one of the lesser-used train stations in the valley, and I came across this sticker placed by a hate group. I’ve probably mentioned them before.

You don’t see this mentioned much, but a certain type of fascist has had a thing about health for a while. The Nazis wouldn’t even drink caffeinated coffee (meth, apparently, was not an issue), and the Muscular Christians of Victorian England were gym rats. Think of today’s fascists, though, and you’d probably imagine the guys haunting gun shows and rural bars: heavyset men with a certain affinity for alcohol, coffee, fast food, and cigarettes. The mighty have fallen, and in case one hadn’t noticed, they’re a little sensitive about that.

So I wasn’t entirely surprised to find this bombastic anti-drug message among the other bits and pieces these people have scattered around the Hudson Valley. This is not polite encouragement from Nancy Reagan; this is about staying in fighting form for when the culture war becomes actual war.

Speaking of which.

If you didn’t already vote, tomorrow is your last chance at rejecting another four years of the poison taking hold in this place. Hate is a drug like any other: it rides in on hopelessness and escapism, it’s capable of disfiguring people into versions of themselves you never imagined, and it’s deeply addictive. The country we call home is headed for an OD.

Show up. Stick it out. And get it done.

vote.org

Tell Me We’re Okay

Driving back from Beacon last night, where I’d spent the afternoon packing boxes. It was about 65°. I had the windows open, and I turned on the car radio for the first time in over a month. Sailing down 9, surrounded by the usual traffic, summer on the horizon…for a second, everything felt almost normal.

Until 21 Pilots came on with Level of Concern.

Panic on the brain, world has gone insane
Things are starting to get heavy, mmm
I can’t help but think I haven’t felt this way
Since I asked you to go steady

Wonderin’, would you be my little quarantine?
Or is this the way it ends?

God damn. When was the last time a disaster or world event made its way into a pop song? I don’t listen to pop, so that’s not entirely a rhetorical question—and I recall that 9/11 inspired a few predictably jingoistic country hits back in the day—but I can’t remember the last time I heard modern mainstream rock/pop address anything contemporary.

But I do remember how many pop songs from the 1980s addressed the theme of nuclear war. It was one of those pervasive sword-of-Damocles threats that you couldn’t not think about. Uncertainty is one of the most consuming mindsets there is, especially concerning matters you really have little control over. Something on that scale, looming ever-present in the public consciousness…sure, makes sense that eventually, someone’s going to sing about it on the radio.

So—we’re here now, I guess. COVID rock. For the doubters: Nobody ever did a song about the common flu, now did they?

You could bring down my level of concern
Just need you to tell me we’re alright

Tell me we’re okay, yeah
Tell me we’re alright
Tell me we’re okay, yeah
Tell me we’re alright…

By the Tracks

I found a small shrine yesterday, down by the Hudson overlooking the railroad tracks. The trail runs maybe forty feet above the tracks, with a pretty steep drop—there’s an iron fence along it to keep you from trespassing/breaking your neck.

There’s also, as is customary with iron fences, a gap where those who are intent on trespassing/breaking their necks can try their luck. I went through it and noticed a narrow path along the cliff, leading to a small, graffitied ledge.

At first, the only notable thing seemed to be the graffiti, but when I edged past the ledge, I realized that there was a little cave behind it, in which someone had placed a tiny blue ceramic ram and a rock with “Peace” painted on it. I scootched a little closer, keeping an eye on where I was stepping—slip, and it wouldn’t be a fun ride down. Whoever picked this spot picked it well.

I sat there for about twenty minutes. It’s one of the most peaceful spots I’ve found in a while, despite the occasional train down below.

Went back through the fence and an elderly man was pulling up his trousers, staring at me with the dumb, frozen expression of the perpetually oblivious. He’d been urinating on the trail, not even realizing I was about thirty feet away. Wasn’t wearing a mask, either.

Lights Out, Nobody Home

Went back to my apartment a few nights ago to get some of my stuff. No lights, no people—they’d shut off the power and heat and kicked everyone out. I felt a little like I was sneaking into Chernobyl: geared up with a mask and gloves, unsure of what I’d find.

The apartment was a mess, worse than I’d left it—tarps and materials everywhere, furniture moved around. It is a damned eerie thing to walk into what would normally be “home”, wearing protective gear and navigating by the flashlight on your phone, hearing nothing and no one. No signs of life, and an oddness about the air. Hard to place…sort of a dry, chemical odor, but more, I’d say, the absence of anything else. Maybe this is what buildings smell like when nobody else is around.

I wandered through the place, feeling like a ghost. There won’t be any life in here for the foreseeable future. I’m staying with a friend; everyone else was resettled by the Red Cross, or their renters’ insurance, or whoever was willing to take them. I don’t how many people have been in here since I moved out. Builders and maintenance people, certainly; maybe the fire department, or building inspectors. Who knows.

Raising the Roof

What we’re looking at here is the roof of my apartment building. A wolf of a wind attempted to blow my house down—and failed, fortunately—so it had to settle for the roof instead.

The Poughkeepsie Journal says this happened last Sunday night. I can tell you it happened around 10:45 Monday morning, because there is a message from me in Vassar’s Web Development Slack channel around that time that says something along the lines of “holy WTF, I think my roof is gone.” I’d just seen it go by.

I’d been hearing the wind all night, and around ten that morning—just as I was starting to think it was giving up—it picked up significantly: hurling itself against the building at intervals, spitting and howling. I noticed, with some alarm, that the building was starting to shake, and the bits and pieces flying past the window were getting bigger.

I was wondering if I should head for the basement…and I remember a shuddering thud, as though something huge had struck the building. And then a vast black structure tumbled by the window, crumpling onto the ground outside and flattening my neighbor’s fence.

The building is currently evacuated—heat and power shut off, the doors locked and alarmed. Some residents are being put up by the Red Cross, and some of us opted for whatever our renters’ insurance would cover. I’m crashing with my friend Sarah, having spent the past seven days frantically finishing one the more work-intensive Vassar sites I’ve built in a while. It’s been a week.

Drive All Night, Take Some Speed

I broke my ironclad rule of no coffee after 3pm. Last cup was about seven hours ago, and I could probably use another one now, but I’ve settled for Tom Waits, “Goin’ Out West.” At the right volume, and combined with the melatonin-shattering properties of a computer screen at full brightness, it’s a reasonable substitute for around 100mg of caffeine.

There’s a cold, sharp smell of smoke in the air outside—something I haven’t smelled since winter—and Waits is just now getting to the best part…or at least the most relevant part, given recent circumstances:

I’m gonna drive all night
Take some speed
I’m gonna wait for the sun
To shine down on me
I cut a hole in my roof
In the shape of a heart

Old Glory

The wind was going all night, and it’s still going—not raging now, so much as drunkenly stumbling around, banging into things as the light starts to show. There’s something squeaking out there—a porch swing or something, I haven’t heard it before. I’m tempted to go out and investigate, but I can’t find the energy…and anyway, there’s stuff to be done.

Apple Music, for reasons of its own, is serving up Tom Waits croaking something about a downtown train—wait, did he write this song? Jesus…he did! I only knew the Rod Stewart version—and I’m seeing now that Stewart’s cover came out four years later. That was the only one the local stations ever played. Not surprising, maybe. Stewart had the voice for songs like this. Waits sounds like a grizzly bear; not a voice crafted for sensitive ballads.

Anyway, I was wandering through my photos earlier and I ran across this one: the last thing I’d see every morning before heading into my office, at least if the sky was clear and the wind was right. Vassar may be a “left-wing Ivy-League whorehouse,” as our Westboro friends phrased it, but we still retain some nominal measure of national pride. I’ve heard there are a few people in campus who know a thing or two about American history, and they would no doubt be happy to explain how the traditional American values currently bandied about by various conservative ogres began as—and continue to be—radically liberal ideas. Religious freedom? Choosing one’s leadership? Human rights? Imagine what King George might have said about that on Fox And Friends.

I miss that flag. Guessing it’s in a different position on that pole right now.